Abridging Books Into eBooks

For people who are authors of books and have perhaps self published previously it might be a good idea to turn your book into an eBook. If your book is a nonfiction book it may be possible to break the chapters down and perhaps elaborate on some of the subjects and 2-3 E-books from that one work. It does not make sense to take a book which you may have produced that perhaps sold less than 10,000 copies since you self published it and then not turn it into something that can be seen by many more people.

If you break down the subjects properly into the books you may be able to get quite a few more people reading your book and you can charge a very low price. The lower the price the more people who will afford it can buy it and eBooks cost very little to produce.

There are many successful online eBook writers and authors and you can go to Lulu.com and see all the eBooks there available to all online Internet buyers. What do you have to lose? And why would you allow such information that you spent so much time and hard work and effort in producing go to waste. Isn’t it time that you made a second edition anyway and this might be a way. Think of this in 2006 and maybe you might find success in the eBook business.

“Lance Winslow” – Online Think Tank forum board. If you have innovative thoughts and unique perspectives, come think with Lance; www.WorldThinkTank.net/. Lance is an online writer in retirement.

Author: Lance Winslow
Article Source: EzineArticles.com
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How to Publish Your Informational Book, Part 3 – Self Publishing

In previous installments of this series, I described the four basic methods of publishing your information book – Traditional Publishing, Self-Publishing, Print-on-Demand, and eBook – and wrote at length about the pros and cons of Traditional Publishing. In this article we’ll look in depth at the next method: Self-Publishing.

Self-Publishing is a topic that is near and dear to my heart, because that is the method I chose more than eight years ago when I published my first fiction book. It required a steep learning curve, but became profitable quickly, and in fact, I have since self-published five more books, all of which sold well and continue to sell well.

Here’s what you need to know:

Self-Publishing essentially means that you take on the role of publisher as well as author. And with this new role comes a long list of new tasks, and a whole new set of people that you need to interact with. You are responsible for supervising the book printing, the cover, the layout and artwork, the paperwork for procuring an ISBN number (the number that’s required to create the bar code, so that your book can be sold in retail stores and online), shipping, storage, distribution, and more.

It can be a pretty daunting list.

So why in the world would someone want to take on all that responsibility? Because the list of positives is even longer. Here are a few of the main benefits to Self-Publishing:

1. Guaranteed Publication – 99% of all manuscripts submitted to editors and publishers are rejected. Unless your subject has instant mass appeal, your chances for publishing your informational book are even higher. Instead of trying to please some faceless editor or publisher, why not let the buying public determine if you have a winner or not?

2. Speed – If you want to get a book out quickly, or if you are dealing with time sensitive material, then self-publishing is the way to go. Unlike traditional publishing processes which can take a year or more to complete, a self-published book can go from completed manuscript to physical book in as little as 30 days.

3. Control – Self-Publishing gives you the ability to create your perfect vision exactly as you see it. Cover art, subject matter, tone and feel… it’s all up to you, and no one can overrule your decision. When you work with a traditional publisher, it is a constant negotiation, and the author rarely wins.

4. Money – Samuel Johnson once said, “No man but a blockhead ever wrote, but for money.” If the purpose of your book is to bring in cash, than self-publishing may be your best option. The reason is simple: since you are your own publisher, you get to keep all the money. For example, if I print a book for $2.23, and sell it for $10, the difference – $7.77 – is mine to keep. Contrast that with traditional publishing, where royalties can often measured in pennies.

When I released my first self-published children’s adventure, I generated more profit in the first few months than other authors I know generated in years. And I did it not because I sold more books, but rather because I made far more profit on each book that I did sell.

Self-Publishing is not for everyone. It takes an entrepreneurial mindset and a love of learning new things beyond just authoring a book. Yet, in many cases, it can be the fastest, more profitable way to get your book to market.

Understanding all of your publishing options certainly brings you one step closer to a successful book. But nothing happens until you can interest people in buying it. So what should you do next? What can you do to entice people to try your book? These are exactly the questions I’ve spent the last 10 years researching, and you can find out the answers by visiting me at http://www.FictionSecrets.com. Download a 30-page report and receive a 5-day eCourse covering this subject.

Kevin Franz is a successful fiction author and online marketer. For more than twenty years he has made his living putting words to paper, and he has helped thousands create their first written works. He is currently showing internet marketers how to incorporate the techniques of great fiction into their online sales efforts. You can find the details on his blog – http://www.kevinfranz.wordpress.com.

Author: Kevin Franz
Article Source: EzineArticles.com
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Two Roads Diverged – Understanding Traditional and Self-Publishing Differences

The publishing world has experienced change over the past several decades as all industries have, but the next 10 years will be a cocoon altering it into a different species altogether. Many major print publishing houses have either merged, or acquired smaller houses, and the net result is that there are fewer traditional channels for getting your book published. However, this only means that the nature of the challenge of getting a book published has changed. It does not mean that the challenge has become insurmountable.

The traditional publishing path of the past has been described similarly by many sources. Write a book, send query letter and/or book proposal to agents, get picked up by an agent, get sold by agent to a small-to-medium-size publisher, pray that your book takes off and garners attention from a big publisher who pays you a six-figure advance in return for the rights to your book.

Nathan Bransford, a literary agent with Curtis Brown, discusses going from small presses to big publishers. I agree with many of his points on the difficulties of being recognized by a big publisher. His advice is very similar to my premise, if your book is really good, well edited, designed, printed, distributed, and promoted, it will succeed.

Today, the traditional publishing path is in upheaval and turmoil. The economic downturn has caused many small publishers to shut their doors or, at best, significantly decrease their new release budgets. The emergence of the Kindle, Nook, and other Ebook readers has stirred things up. Publishers of all sizes are more carefully scrutinizing new authors, primarily seeking to invest in less-risky authors with established platforms. Gone are the days of a publisher investing marketing dollars to help an author develop their platform.

The new traditional publishing path is emerging as more of a partnership between author and publisher with the responsibility for marketing and publicity resting on the shoulders of authors. If you bring a viable manuscript to the table with a sound marketing plan and/or platform, the publisher will invest in editing, design, printing, and distribution, the rest is up to you.

The exciting game-changer for the unknown author is the advent of affordable self-publishing options. Self-Publishing should not be confused with the deplorable practice of Vanity Publishing where an author is charged seriously inflated prices for editing, design, printing, and/or marketing services while giving up 80% or more of profit and/or rights to their material. True self-publishing is where the author handles editing, design, printing, distribution, and marketing for their book or hires professionals to assist with the process while experiencing control, speed to market, ownership of rights, and max profitability.

The self-publishing path has existed since the dawn of time. Dan Poynter lists 155 best-selling books that started out being self-published. In the past, the editing, design, and printing of a book could easily run $15,000 or more because of minimum print runs of 5000 being required. With the advent of print-on-demand merged with distribution channels, the cost of the entry toll on the path of self-publishing has diminished significantly. And publishing a Kindle version of your book doesn’t require an investment of money whatsoever.

I’m not preaching against the traditional publishing model. I cut my teeth in traditional publishing. My family was in the traditional publishing business for nearly 25 years. I started at the bottom in the warehouse of a traditional publisher picking and packing orders. I eventually worked my way up to running a subsidiary of this same publisher. Throughout my career, I kept seeing countless numbers of authors turned down because we simply didn’t have the budget to add them to our production schedule. When I was asked to take over the helm at Yorkshire Publishing, I studied the self-publishing industry in great detail. I became passionate about being a part of an author-empowering movement to publish and promote quality books that otherwise may have been unrecognized without modern advances in the self-publishing industry.

The old-school mindset that says to avoid the stigma of self-publishing is quickly becoming a whisper in the wind. More unknown authors are starting out self-published for the first time in history. I believe self-publishing is the democratization of the publishing industry. Any unknown author now has a chance.

In my seminars and workshops, I tell authors to treat their book like a business. If you want a real chance, you must treat your book like a big publisher would. When naysayers point to the statistics that say self-published books average less than 200 units sold, I can rebut with a missing link in the formula and Poytner’s list. Remember, if your book is really good, well edited, designed, printed, distributed, and promoted, it will succeed, regardless of the road taken in the yellow wood of publishing.

Todd Rutherford is the Vice-President of Yorkshire Publishing, a firm that provides services to self-publishing authors. If you need a writing coach, ghostwriter, editor, designer, printer, distributor, publicist, or marketer for your book, contact Yorkshire Publishing for a free consultation – 918-394-2665.

Author: Todd Rutherford
Article Source: EzineArticles.com
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Self-Publishing Vs Small Presses: Can Your Publisher Do More for You Than You Can Do for Yourself?

I recently attended an author event where numerous authors were included. One of the authors made a point of commenting upon what is wrong with self-publishing and that “legitimate” writers do not self-publish but seek to improve their writing by having it reviewed by a press with an editorial board. I tried to point out a couple of the advantages of self-publishing to this author, but she had formed her opinion and would not listen to me. When I brought up the fact that many authors make more money self-publishing than being traditionally published, she replied, “If it’s about the money to you, there’s no point in our talking about it. A real writer enjoys going through the agony of working with an editor to make the book better.” I pointed out that many self-published books are edited, but there was no changing this woman’s mind.

I went home and did a little research on this author and her book. She had claimed that her book had been her publisher’s bestselling book for something like thirty weeks. Had she said she’d been on the New York Times Bestseller list for thirty weeks, or an Amazon bestseller for thirty weeks, I might have been impressed, but being your publisher’s bestselling book doesn’t mean a lot. I did find the publisher online. They’ve published twelve books. Being the best out of twelve books just didn’t seem that impressive to me.

A male author at the event agreed with this other author. I Googled his book and could not find a website for him. All he had was a page at his university’s website under faculty information that mentioned he had written a book. I tried to Google his publisher, also a small press, and it did not come up as even having a website.

I looked up both authors’ books on Amazon. Both were there, which was a good thing. I looked them up at Barnes & Noble. Only the female author’s book was there. I went back to Amazon and read the reviews. There were a few, some good, some bad for both books. I decided I would see whether these books were really worth reading, but neither book had a “look inside” feature for the Amazon listing. And guess what? Neither book was available in Kindle or any other ebook format.

Curious to see just how good these books were, I went to the local bookstore. The male author was from out of state so I wasn’t surprised the bookstore didn’t have his book. But the bookstore didn’t carry the female author’s book either, even though she lived nearby. When I asked the manager why the store didn’t carry her book, he informed me, “The publisher refuses to work with our company. The only way we can carry it is if the author buys her own copies from the publisher and sells it on consignment to us and she says that’s too much trouble for her to do.”

Interesting, I thought. Here was a traditionally published book, published by a small press I’d never heard of that wasn’t even willing to work with the bookstore in this author’s hometown to sell that author’s book. The press did not produce an ebook version for the author, it did not have a separate author page for the author at its website, and in the case of the other author, there was no website. In short, I was not impressed by either of the authors’ publishers or their efforts to market their books. And I especially wasn’t impressed by the female author who thought she was so ahead of the game because she had a book published by a small press. Perhaps she truly didn’t care about the money part of selling books, but I had a hard time thinking her book was selling well at all, even if it were the bestselling out of twelve titles. Who’s to say any of those other books even sold a hundred copies each? I looked up a few of them on Amazon and their sales ranks were very low-in the millions, and even her supposed “bestseller” had a sales rank around 400,000. That’s actually not such a bad number, but it’s not all that impressive either.

So what makes this author think her book is somehow superior to the self-published books? Simply because a publisher chose to publish it for her, no matter how small that publisher is or how bad at marketing. This author said it’s not about the money, and I have to come to the conclusion it’s not about book sales either for her, or she’s deluded into thinking her book sales are truly impressive. I wonder whether it’s even about good writing. I think, ultimately, it’s about the “prestige” of being traditionally published, and she was ready to rub the self-published authors’ noises in her achievement, even if her publisher is some small press hardly anyone ever heard of.

I wouldn’t have given her the satisfaction of buying her book from her at the event, but I did decide to order the book off Amazon and I read it, and I found it to be a fairly well-written book stylistically, though lacking on plot and rather depressing. It wasn’t my kind of book, but I couldn’t fault it for its writing. Still, the cover was not that well done-I would have thought it was self-published upon first sight if I had not been told otherwise, and honestly, I’ve read plenty of self-published books as good as or better than her book.

Part of this author’s argument was the value of working with an editor. I always recommend authors find good editors to work with them, and plenty of self-published authors do (the ones who don’t are usually the ones who give self-publishing a bad name). That said, I’ve read plenty of traditionally published books that have mistakes in them, and not just by small presses, but very large well-known publishers as well. When a big name publisher like Oxford University Press can make a statement that it no longer feels it is necessary to correct split infinitives in its books (see http://oxforddictionaries.com/page/grammartipsplitinfinitive ), you have to wonder whether the quality of the editors at large presses is any better than many of the editors you can hire who do freelance. Oxford University Press has an academic argument for why split infinitives are a fallacy, but even so, they still sound awkward to me. Furthermore, many editors who work for large publishers do freelance editing on the side for self-published authors. I know a couple of such editors myself. So I don’t see why hiring a qualified freelance editor will make any difference.

So what is the real difference? As far as I’m concerned, if an author is self-published and produces a professional looking book with an attractive cover, has the book edited and proofread, and has enough business savvy to know how to promote the book, then he is a step ahead of the game, regardless of whether some big name or small, largely unheard of press, did not publish his book.

Basic Math-It May Not Be About the Money, But….

I know for that author, it wasn’t about the money, but when did a little extra money ever hurt? Traditional publishers pay royalties to their authors. Self-published authors receive complete profit on book sales. The standard royalty runs around 10 percent. Let’s crunch a few numbers to see how many books a traditionally published author needs to sell to equal what a self-published author needs to sell.

An author who self-publishes his book can get the book printed at $7 each with a print run of 500 copies. That’s $3,500. The book’s cover price is $20. He works with local bookstores to sell the book at 40 percent consignment, meaning he receives 60 percent of the sales price or $12 a book; that’s a profit of $5 per book for every book sold in the bookstore and $13 for every book he sells himself. Let’s say he sells half his books at bookstores and half directly to his customers. That’s 250 books x $13, and 250 books x $5. The total is $3,250 + $1,250 = $4,500 in profit after he pays the initial $3,500 to print the books. That’s equivalent to almost 129 percent in profit.

By comparison, if the same book is traditionally published and sells for the same $20, and the cost is still $7 and the publisher is providing 10 percent royalties, the author makes $2 a copy. The publisher is keeping the other $11 in profit (getting rich at the author’s expense, perhaps, especially if he’s not using any of that profit on significant marketing efforts). To reach the profit of $4,500, the author will need to sell 2,250 copies as opposed to the 500 if he had self-published.

Now I know it’s not all about the money. True authors write because they love to write, but what’s the point of selling your words for less than they are worth? If your publisher has the marketing and distribution capabilities to sell those 2,250 books and faster than you can sell your 500, then by all means go with that publisher. But if you have a feeling that the publisher’s ability to sell 4.5 times as many books as you can sell on your own is unlikely, you may be better off self-publishing your book. Sure, you want more copies sold, but do you want them sold so you can make your publisher rich while you get only a small percent of the income?

Many great small presses are out there that have been around for years, and they are keeping up with the changes in publishing and are truly business savvy when it comes to marketing. But there are other presses run by book lovers who have little business sense. They may not be in a position or have the “know how” or the stamina and enthusiasm to make truly significant marketing efforts. So make sure you know how experienced and how business savvy your publisher is before you sign that contract. Here are some questions to ask your potential publisher-and don’t forget to get the answers included in the contract:

Questions to ask the Small Press/Publisher:

  1. What is your marketing plan for my book?
  2. Will my book be listed at Amazon, Barnes & Noble, and other websites?
  3. What kind of distribution do you have?
  4. Will you work with my local bookstore(s) to sell my book, even if they only do consignment or want a buy back policy if the books don’t sell?
  5. How many copies will you print?
  6. What is the likelihood of the book being reprinted vs. going out of print?
  7. If the book goes out of print, when can I buy back the rights and publish it myself?
  8. Will you offer ebook versions of my book?
  9. Do you have a website where people can purchase the book?
  10. What can I do to help?
  11. Can I buy and sell copies of my own book?
  12. Do you have any budget to help me with my personal marketing efforts?
  13. Will you build a website for me or help me promote mine, link to mine?
  14. What else can you do for me that I can’t do for myself?

If you don’t have or don’t want to spend the money to self-publish your book, finding a traditional publisher may be the best route for you. If the publisher can do things for you that you can’t do yourself or can do them better, it may also be the best option, but most of these things you can do for yourself or find people you can pay to do them for you, still resulting in you making a larger profit. Nor do you want the publisher to prevent you from selling books because it doesn’t care to produce an ebook or spend time building a website to promote your book. I urge you to do your research and make the best business decision possible. It may not be all about the money, but after all the time, research, and energy you put into writing your book, you deserve to get adequate compensation for it.

Irene Watson is the Managing Editor of Reader Views, where avid readers can find reviews of recently published books as well as read interviews with authors. Her team also provides author publicity and a variety of other services specific to writing and publishing books.

Author: Irene Watson
Article Source: EzineArticles.com
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Start Your Own 6-Figure Self-Publishing Empire

Many people want to write a book, or write several books or become a full-time author. And with this digital age of printing there’s never been a better time or an easier way to become a self-published author. And once you know what to do you can turn your books into your own 6-figure publishing empire.

But where do you start? Well first of all you need to write a book. Most people will say that they don’t have time to write a book. But everyone has time to write a book. We all have 24 hours in every day – the exact same 24 hours. The only difference is what you do with it. Just getting rid of your TV set can give you up to 50 extra hours to write every week.

And if you can write a letter, you can write a book. You just need to write a series of articles, turn the articles into chapters and voila! You have your book.

So, once your first book is written you then need to self-publish it. To do this you need to use a digital POD company that will print your book and distribute it as it’s ordered. This way you don’t have to worry about printing and warehousing thousands of copies of your book and the whole ordering/printing/packing/shipping process can be automated for you. And thousands of online book stores across the globe will happily list your book.

Or you can contact other publishing companies and ask them if you can use their distribution company to sell your books. Many publishing companies will do this, even the really big companies. But they can charge a lot, sometimes up to 70% of your profits. But if you can sell tens-of-thousands of copies of your book this way, then it could be worth it.

Next you need to market your book to let everyone know it’s out there. You can use press release companies to do this or you can do it yourself for free by writing articles on your book’s subject and sending them to websites and magazines. You can also write up your own marketing material which includes all the information about your book, including number of pages, benefits of reading the book, where it can be purchased/ordered, etc.

Then get a list of book store and library supply company addresses (and newspaper and magazine addresses too) and mail out your advertising material to them. You don’t even have to send it out all at once. Just send out half a dozen or so at a time. That way you can be marketing all year round.

Then you need to set up a website. To do it the cheapest way it’s best to take a course in webpage design and learn all about HTML, etc. That way you can be completely in charge of your website and update and add to it whenever you want, at no extra cost.

Fill your website with content related to your book. Write and upload free articles and short reports. Join affiliate programs and sell other companies products for commission payments. And put up plenty of links to your book.

You could also write articles to post on article directory websites with a link back to your site. If you write articles regularly, and they’re good articles, other website owners will also download them and publish them on their websites too. And then before you know it your name and your book will be known all over the world.

But don’t just stick at writing books. You could write eBooks too or sell your book as an eBook version as well. Your eBook could also be sold through other eBook websites such as ClickBank.com or MobiPocket.com and even Amazon.com.

This way your profits can explode beyond your wildest expectations.

Just look at it this way. Say you published print 6 books 6 eBooks every year and you made $10 profit on each book. If you sell 500 copies of each book every year you’d earn $60,000 a year. If you sold 1,000 copies of each book every year you’d earn $120,000. That’s a 6-figure income!

And if you kept on writing and publishing at this rate you’d have written and published 18 print books and 18 eBooks in 3 years and so if you sold 500 copies of each book you’d earn $180,000 and if you sold 1,000 copies of each you’d earn a staggering $360,000 a year.

Plus you’d earn all the other income from your website such as affiliate commissions. And if you put pay-per-click advertising on your website, such as Google Ads, you’d earn revenue from that too.

And as a writer you’re able to open as many websites as you want. For instance, if you open a website about healthy eating, you could write and sell recipe books from your site. You could also advertise fitness clubs, gym equipment, other online websites selling health-related products, and earn affiliate commissions from them all.

And remember that all this is “passive income”. This means that you can be earning money every day without having to work for it because once you write a book it just keeps on selling and you keep getting paid.

That’s the beauty of being a writer in the 21st Century. You can use the internet to build your own self-publishing empire. Other internet entrepreneurs have to pay writers to write their website’s content. But a writer, you can do it yourself for free. This gives you a much better edge to help you to achieve your goal of becoming a wealthy self-published author.

And the best thing about being an author is that is a job that you never have to retire from.

Ruth Barringham is succesful writer, author and publisher and runs two web sites for writers. Writeaholics.net is a web site for freelance writers and Self-Publish Worldwide is a website full of information on all areas of self publishing. So if your interested in writing or publishing, or both, visit these two web sites. You can also sign up for the free monthly newsletter at Writeaholics.net and receive the free eBook ‘Become a Freelance Writing Success’ when you subscribe, or download a free self publishing report at Self-Publish Worldwide. Or why not do both? After all – they’re free!

Author: Ruth Barringham
Article Source: EzineArticles.com
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