Kodak Shares Social Media Tips For Business

One of the pioneers of photography has also been developing a social media expertise. Kodak is now sharing what it has learned from their blog, Facebook, Twitter, Flickr, and YouTube experiences. Their new “Social Media Tips” is a great PDF designed to help entrepreneurs grow their business using cyber technology.

The concise handbook is loaded with insights, including 10 social media tips from Kodak’s Chief Blogger. The list has some well known tips and new perspectives. For example, many have already said, “posting frequently” but the KCB adds a new reason – if you don’t people will not tweet you.

One new tip in their top 10 is a recommendation to always reply to comments left on your blog, “even if it is just a few words”. The tip reflects Kodak’s belief that social media is not just for telling others about you, it’s to build relationships.

The Twitter Top 10 List includes Kodak’s recommendation of keeping an external approach to tweeting. They recommend reviewing the Dell (dell.com/twitter), Zappos (twitter.com/zappos), and Comcast (twitter.com/comcastcares).

Those that have resisted using social media to build business or have had an unsuccessful start will find a comprehensive step by step guide, including the recommendation of monitoring tools.

The resource is definitely designed as a business, not personal, approach to social networking. You will not learn how to find old friends or the love of your life. What you will learn is practical, useful, easy to follow steps and insight into branding yourself, developing a following, and building your business. You will even learn to get more out of trade shows.

Author Rick Weaver is President of Max Impact Corporation, a leadership and strategy development company. He offers more anecdotal leadership lessons in his book, “Life’s Leadership Lessons”, a collection of 53 anecdotes about his life. Rick reveals how the people, events, and things he has encountered in his life taught him valuable leadership lessons. The book is available in paperback, e-book, or a Kindle download. For more information or to download the first chapter to preview, visit: “Life’s Leadership Lessons”.

Author: Rick Weaver
Article Source: EzineArticles.com
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10 Book Writing Mistakes That Stop Your Book Dream In Its Tracks, P1

Did you start writing your book and quit? Yes, I know you’re not a quitter. Like many of us, you may be making some simple mistakes that block your book’s progress and success. Correct the following mistakes; complete your book and prosper:

Mistake 1: Failure to start small

Inexperienced book writers aim too high. Don’t try to fit everything you know or researched into a one big book. Plan too big and you may end up with a monster book that turns your potential readers off. Remember many people in the new millennium are busy and impatient. They look for short, quick easy reads.

Solution: Plan a short book first. If you have loads of interesting information, consider breaking your book into parts. Even a series of books is better than one large volume in the non-fiction genre.

Mistake 2: Failure to educate oneself about book writing

Many novice book writers fail to educate themselves about book writing. If you’ve never traveled this road before, enroll in a book writing course. If you have little time, sign up for an email course to jumpstart your writing. Invest in your book project by hiring a professional editor to edit your work.

Solution: Invest time to learn about book writing. A client of mine said, “I want to invest in my work but I have no budget to start with.” No worries; more book writers than you know have started with a low to no-string budget. Enroll in free book writing courses. Invest time in learning to self-edit your work until you can afford to hire a professional.

Mistake 3: Failure to target your audience

If you fail to pinpoint who you are writing for, your chapters will lack focus. Your copy will fail to connect with readers. If you do manage to hook your readers, most won’t make it to the end of your book. Beginning writers who make this mistake bore their readers with flat, lack luster writing.

Solution: Target your book audience. Create a profile of your reader. Write down their complaints, their needs and/or problems that your book solves. Write your book to that person. You will have tight focused copy that compels your reader to keep reading to the end.

Mistake 4: Failure to develop a sizzling title and back cover first

Most newbie book writers stall at this one. They don’t realize a hot title helps the author stay motivated. Additionally, writing the back cover first helps crystallize your book’s message. With a clear message in front, you can write compelling copy that draws your readers to keep reading.

Solution: Develop a hot title and back cover first to write tight focused copy that sells. A hot title includes the top benefit of the book. It is usually short, clear and/or tells a story.

Mistake 5 Failure to keep writing in the midst of everyday life

Many writers believe you have to get away from everything to write a successful book. No you don’t. I know several novelist and non-fiction book writers who had to write during a long commute to get their best book written and out to the world. They accomplished it because they systematically worked on their book until it was done.

Solution: Avoid marathon writing. In the midst of your busy life, designate your time to write (work on your book) with a goal to completion.

You may not make all of these mistakes. Yet one or two will stop your book dream in its tracks. Your audience is waiting. Implement the above solutions, get your book written, release it to the world and prosper.

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© Earma Brown, 11 year author and business owner helps small business owners and writers who want to write their best book now! Author of ‘Write Your Best Book Now’, she mentors other writers and business professionals through her monthly ezine ‘iScribe’ Subscribe now at iscribe@writetowin.org for FREE mini-course ‘Jumpstart Writing Your Best Book’ or visit Get Paid to Write a Book for more book writing tips

Author: Earma Brown
Article Source: EzineArticles.com
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Writing How to eBooks – The Difference Between Writing Books & Writing eBooks

In the last few weeks, I’ve run into an issue three times. Now writing isn’t a big subject, so I probably shouldn’t have been surprised. But I was. You see writing also isn’t a subject that evokes passion in people — especially professionals. Or maybe I should say excessive emotions rather than passion. You see writers tend to put their emotions onto the paper, not into their real lives. Maybe that’s one reason writers are such a laid back bunch — we expend the noisy emotions on paper and keep the quiet ones for real life.

In any case, two of these cases involved people claiming that eBooks weren’t real books. And that only printed books were worthy of serious consideration. I must be honest; one of them admitted that digital books — meaning real printed books copied to a digital format — were still valid.

At the same time, I was predicting the effect of the arrival of traditional publishers on the eBook scene.

This got me to thinking since I write both types of books. What is the difference between writing an eBook and writing a traditional book?

It didn’t take me long to realize that I needed to determine what I meant by a book and an eBook. You see eBooks have developed a bad reputation. One that’s deserved. That of being poor quality and being typically a tempest in a teapot. A very tiny teapot.

So I had to put some limits around the terms.

Far too often eBooks are actually just reports with an over-inflated sense of self-importance. They’re really just white papers and extended report length pieces. They’re far too short to be honestly considered as a book or eBook. At most they might fit the definition of monograph. An essay or thesis to be more precise.

And second they are often poorly written and poorly edited. But that’s not a factor of the medium. That’s a factor of the expense and recognition of quality.

But both of these are a vanishing breed. They may last for a short time but the market is going to kill them soon.

On the other hand I also looked at books. And realized that books ran from novelty and executive length all the way up to tomes. So comparing writing different length books was going to be a problem.

The only way to be fair was to compare the same fruit of the writing tree… equal length books of the same type.

So what’s the difference between writing a very long eBook of a hundred pages and an executive length book of a hundred pages?

Does an eBook take less time? Nope.

Does an eBook take less effort? Nope.

Does an eBook take fewer steps? Nope.

Does an eBook take different steps? Not for the writing parts.

So what is the difference?

The publishing step. When writing an eBook you need to format the book in the form it will be sold in. When publishing using a traditional process the publisher does that.

But arguably that’s a publisher’s problem not the writer. And it’s really a function of the use of traditional publishers versus self publishing.

So the answer is… there is no difference. Writing an eBook is exactly the same as writing a traditional book.

Do you want to learn how to write a book in 24 hours? Take my brand new free course here: http://www.learningcreators.com

Do you want to read more free information like this? Go to my blog: http://www.learningcreators.com/blog/

Glen Ford is an accomplished consultant, trainer and writer. He has far too many years experience as a trainer and facilitator to willingly admit.

Author: Glen Ford
Article Source: EzineArticles.com
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Do You Have What It Takes to Be an Indie Publisher?

Are you considering becoming an indie author?
If you are a writer standing at the crossroad where the road to traditional publishing heads one direction and the road to indie-publishing (self-publishing) in another, you are not alone.

Access (the road) to traditional publishing is daunting. For decades, if not centuries, writers have had to kneel at the door of agents and publishers, pleading for admission to the club. “Please, kind sirs, would you look at my writing?” There are the stories of writers who literally tossed their manuscript ‘over the transom’, hoping theirs might be read and accepted.

The reading technology revolution over the past few years has dramatically changed the way books get into the hands (or e-books) of readers. Compared to the time traditional publishing ruled the process, the change happened in less than the blinking of an eye.

Bowker reported 25,102 new titles in 2002. By 2010 the number has grown to 47,392. That doesn’t include a non-traditional category which includes some print on demand titles. If we only consider the new title category alone over 4,000 new titles are being added each month. That’s 130 added per day. That means over 10 new titles were added in the past hour, and likely one added while you read this.

In the face of change, why would agents and traditional publishers take the time to read a submission from an unknown author? If they are finding it challenging to publish and market well-known authors, how could I expect a publisher to roll out a significant marketing budget for me? Ask yourself the same question.

Today’s publishing environment is a recipe for a “rejection cocktail” for yet-to-be-famous writers like me.

Rejection it the “R” word to writers. Agents and publishers tell about scores of queries they get every day. I have my share of rejection letters and emails. Each time one comes in I have to shake off the loser feeling and keep on going.

What is the alternative?

Actually, there is a good alternative – Indie Publishing. Once ridiculed, becoming a self or independent publisher is now a viable choice. The challenge is to do it right. If you do you will experience the joy of selling your first book. The joy increases with each new book you sell after that, each time you are reaching a new reader.

I say it again, the challenge is to do it right. There are thousands of examples of self-publishing-gone-wrong. We’ve all seen covers designed by an amateur, even if well-meaning. We’ve opened books that are littered with typos, misspelling and poor grammar. Some books manage all three miscues, what I call a trifecta of mistakes in a poorly self-published book.

Why not choose to become a professional indie (independent) publisher?
Writer’s Digest is a great source for authors choosing the indie publishing path. They offer the following indie publishing checklist:

– Pick a good title

– Have a marketing plan

– Have a realistic marketing schedule

– Have a good interior with professional editorial service

– Have a good cover design by someone who knows cover design

– Set a publication date

– Register a copyright

– Secure an ISBN

– Keep good records for accounting

That’s just the tip of the indie publishing iceberg. But following a checklist like that will lead to success. It will be time to hit the ground running, and running, and running. It isn’t easy, but it can be fun. The trick for making it fun is to be in control, to avoid twisting like a leaf in the wind when another surprise lands in your in-basket or email.

I have developed a plan that has six basic sections for a successful book launch and marking that includes close to 65 ingredients for managing a book-launch and consequent marketing details. These are all hard-learned lessons that I share with my clients.

When you’re ready to publish?
You’ve written you book, had it edited and have an excellent cover design. Now you are ready to go into print. There are excellent print-on-demand services for the indie publisher. You can check them on-line. Don’t’ just read their claims, it pays to read reviews of satisfied customers and the ones not satisfied. It pays to ask other writers. Join an association like the Association of Independent Authors (AIA). Their website is an excellent source of information and there are forums to ask questions.

My choice for printing my novels was Createspace, a division of Amazon. They offer packages of services and prices that offer help to the beginning indie publisher. As you become experienced in the process you can pick a-la-carte from the menu. They also provide excellent customer support.

Saving the best news for last
A larger share of the royalties can be your reward.

You may have figured out that the road to wealth as an emerging author is more like a leisurely drive in the country that a drive on a fast expressway. The way to sell a book is still one book at a time. The way to a successful marketing campaign is to have a plan for what you want to do after you sell to your family and friends.

Do some market research. Find out what the average number of books a new author can expect to sell. Don’t be discouraged, however and use that number as a goal to exceed.

If you make the choice to be an indie author you will have control of your book. You choose the title. You decide on the content. And you keep a larger piece of the royalty pie.

Why did you write the book in the first place?
I’ve met writers who have told me they write to be famous. I wish them well on that journey. Most of us write because there is a story in us that we want to tell, it’s that simple and it’s the reward. What follows in readership and fame is another reward altogether. After the sweaty part of the writing we just want readers to enjoy it. Would I like to become famous for my writing, absolutely? Until that happens my joy is make the author-reader connection, one reader at a time.

If you take on the challenge of becoming an indie-publisher you need to be prepared for the next step, becoming an indie marketer. But that’s the sequel to the story.

Good writing, my friends.

Chuck Waldron, Indie Publisher

As an independent author and publisher, I have learned some valuable lessons through trial and error. If you are considering self-publishing I hope you find the encouragement you need to take control of your publishing destiny. Welcome to the Indie Book Rebellion.

In addition to my own writing I am proud to be a partner at a new service for independent authors, a place where you can expect editorial, cover design, and support in developing your marketing strategy. Visit http://www.canamauthorservices.com

You are invited to visit my website at http://www.writebyme.ca or send an email to chuck@writebyme.ca

Chuck Waldron,
Kitchener, Ontario

Author: Chuck Waldron
Article Source: EzineArticles.com
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The Growth of Digital Publishing

Electronic publishing has resulted in the gradual growth of digital libraries, containing research materials, online articles and literary works.

The growth of electronic publishing has introduced readers to new methods of accessing reading material. Once with the only option of reading on a computer screen, there now exists an emerging market for technology associated with digital publishing. For example, in its August 30, 2009 edition, Publisher’s Weekly reviewed a dozen devices specifically designed for reading electronic text. Although relatively new, this synthesis of technology and the written word has only begun.

Digital publishers offer a wide variety of materials to an even wider audience of readers. With an untold number of electronic publications, the impact of this industry is strong. Many epublishers, online merchants and individual authors have captured audiences in niche markets that would be difficult to reach through traditional the methods of publishing, as well as providing established readers with the convenience of purchasing digital publications online for immediate download.

In addition, a growing number of traditional publications, academic journals and other media outlets, too, have entered the world of digital publishing with profitable results. From statistics collected by the Association of American Publishers and the International Digital Publishing Forum, U.S. eBook sales have increased significantly over time. Sales of eBooks from 2002 totaled approximately $1.6 million, while 2008 sales reached over $37.5 million. The resulting sales figures demonstrate that ePublishing is not only an emergent force, but also an established industry poised to experience continued growth.

Not everyone is excited about this growth, however. Books in the Digital Age, a 2005 book by John B. Thompson, explores many of academia’s concerns about the standards of material published electronically. Critics state concerns that the ease of publishing and distributing materials online will result in lower standards of available work that can now avoid the many channels of scrutiny and review that hardcopy works face before being approved for publication.

Some groups have voiced their concerns that digital publishing devalues both books and reading. These opponents state that reading digitized words on a screen cannot replace the pleasure that comes from pouring over words and anticipating each turn of the page. Others are less concerned about the visceral act of reading, finding themselves more troubled by the challenges of technology. For example, some groups are worried that changing technology could result in digital libraries with outdated collections being abandoned online or that changes in digital formats could result in a host of inaccessible works.

With less overhead needed, fewer wasted resources and no concerns about storing surplus editions, digital publishing has proven to be an affordable alternative to issuing printed works. Consumers benefit from less expensive reading material that can be accessed at their own convenience. In all likelihood, digital publishing will not replace printed works, but its persistent growth is a continual balancing act. Digital publishing will continue to establish itself as the connection between the influence of technology and the power of the written word.

Martin Alan enjoys writing on subjects such as literature, digital publishing, online magazines and self publishing. He also enjoys keeping up-to-date with the latest developments and innovations in technology and online marketing.

For more information on online publishing click here; http://www.yudu.com.

Author: Martin Alan
Article Source: EzineArticles.com
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